Emmanuelle Alt Men's Fashion 2017 Emmanuelle Alt Summer 2018

The presentation of donations from style houses at the Palais Galliera during the 6th edition of the Vogue Paris Foundation gala at the Théâtre Trianon © Cyrille George Jerusalmi / Vogue Paris, 2019

Organized each year in back up of our collections, the Vogue Paris Foundation Gala is a major outcome of the Paris Fashion Week. This year, its 6th edition won't be celebrated at the Palais Galliera, currently under work, but at the Trianon Theatre in Paris. Let's have a look at the donations to our museum on this occasion!

"For its sixth edition, Vogue Paris Foundation dinner exceptionally changes the setting. Heading for the Trianon, a mythical theatre where the greatest artists have performed on stage. A tailor-made setting for this must-nourish event of the haute couture week. This festive evening, traditionally punctuated past an electrical trip the light fantastic floor, continues its mission to enrich the contemporary collections of Palais Galliera, Paris Fashion Musuem, with the support of the most prestigious manner houses and the leading actors in the mode world. Faddy Paris, for near a century now, has been committed to illuminating and staging fashion with passion in all its modernity, fantasy and brazenness. A flame of creativity that also characterizes the exceptional pieces that enrich the museum's collections this year once once again thanks to the generosity of all. I would similar to have this opportunity to thank, in association with Miren Arzalluz, Director of Palais Galliera, all our patrons and donors for their loyal back up."

- Emmanuelle Alt, Editor-in-Master of Vogue Paris

"The first time, the Faddy Paris Foundation Gala isn't historic at Palais Galliera. The Paris Fashion Museum, which has entered in an historical menstruum of piece of work supported by Chanel'due south patronage, will inaugurate the get-go permanent style galleries in French republic in 2020. Thank you to Vogue Paris Foundation, this sixth edition in favour of contemporary cosmos contributes to enrich of the Palais Galliera'south collections with more than than lx pieces. As we celebrate the tenth anniversary of Alexander McQueen'south death, we wanted to pay special tribute to this major creator whose influence is nonetheless tangible. Virtually absent-minded from way museums in France, her work is now embodied in the acquisition of five of her about famous fashion shows, from "Irere" (leap-summer 2003) to her latest finished collection, "Plato'southward Atlantis" (spring-summer 2010). Major figures of gimmicky style, from Comme des Garçons to Martin Margiela and Junya Watanabe, brand upwardly this selection alongside two unique pieces created by Gabrielle Chanel at the cease of her career. Among the groovy names in men's fashion, silhouettes by Rick Owens and Walter Van Beirendonck illustrate the creative revival of this discipline. I would like to sincerely thank Vogue Paris and Emmanuelle Alt for their trust, as well as all the fashion houses that faithfully back up Palais Galliera through their patronage or generous donations. I am thinking of Balenciaga, Balmain, Burberry, Celine, Christian Dior, Givenchy, Gucci, Isabel Marant, Jean Paul Gaultier, John Galliano, Kenzo, Loewe, Marine Serre, Nina Ricci, Prada, Rick Owens, Saint Laurent, Y/Project and finally Chanel, whose silhouette presented tonight is the occasion for a sincere tribute to Karl Lagerfeld'southward career and unique influence on style history . "

- Miren Arzalluz, Director of Palais Galliera

Vogue Paris Foundation and Palais Galliera warmly give thanks

their donors :
Alexander McQueen, Bottega Veneta, Burberry, Celine, Chanel, Chloé, Coty, Dior, Elite, Gucci, Hermès, IMG, Kenzo, Louis Vuitton, Mugler, Prada, Profirst, Ralph Lauren, Saint Laurent,

their patrons :
Balenciaga, Balmain, Givenchy, Isabel Marant, Jean Paul Gaultier, John Galliano, Loewe, Marine Serre, Nina Ricci, Rick Owens, Y/Project,

their partners :
Charlestown, hôtes d'accueil, Doré Sécurité, agents de sécurité, Imediat, transfert des artistes, Jean-Michel Loriers, traiteur, Novelty, eclairage et sonorisation, Options, arts de la tabular array, mobilier et décor, Perrier-Jouet, champagne, Regtech, management technique et production,

and in particular the Profirst teams for the scenography and production of the event, as well as the PR Consulting teams for the printing relations.

> DONATIONS :

Balenciaga by Demna Gvasalia
Ready to wear, Autumn-Winter 2016-17, Passage No.8

Balmain by Olivier Rousteing
Haute couture, Spring-Summer 2019, Passage No.10

Burberry by Riccardo Tisci
Ready to wear, Spring-Summer 2019, Passage No. 1

Celine past Hedi Slimane
Prepare to wear, Bound-Summer 2019, Passage No.42.
Men's ready-to-clothing, Spring-Summertime  2019, Passage No. 52.

Chanel past Karl Lagerfeld
Haute couture, Spring-Summer 2019, Passage No.53.

Christian Dior by Maria Grazia Chiuri
Fix to wear, Spring-Summer 2018, Passage No.1.

Givenchy by Clare Waight Keller
Ready to article of clothing, Spring-Summer 2019, Passage No.52.

Gucci past Alessandro Michele
Set up-to-habiliment, Autumn-Winter 2018-xix, Pleated long sleeved dress in emerald green silk satin with structured shoulders.

Isabel Marant
Fix to wear, Fall-Winter 2018-xix, Passage No.sixteen.

Gaultier Paris
Haute couture, Fall-Winter 2017-eighteen, "Reines des glaces" collection, "Vin Chaud", structured tennis striped suit jacket, short shoulders, Belvedere, and matching spindle. Orange crepe sari wearing apparel with hood.

John Galliano
Gear up to vesture, Autumn-Wintertime 1995-96, Passage No. 22.
Set to article of clothing, Autumn-Winter 1996-97, Passage No. 22.
Prepare to wear, Spring-Summer 2006, Passage n° one.

Kenzo by Carol Lim et Humberto Leon
Gear up-to-wear, Jump-Summertime 2017, Dress in night blue silk organza printed "Cleaved Camo".

Loewe by Jonathan Anderson
Ready to wear, Autumn-Winter 2018-19, Passage No.45.

Marine Serre
Ready to wear, Autumn-Winter 2018-19, "Hardcore Couture" collection, moons printed bailiwick of jersey top and leggings, leather sneakers, X Rudy Project glasses and necklace. Recovered baby carrier covered with jersey printed with moons. Children's bailiwick of jersey jumpsuit printed with moons and pair of socks.

Nina Ricci by Lisi Herrebrugh & Rushemy Botter
Ready to wear, Autumn-Winter 2019-20. Passage No.34.

Prada
Ready to wear, Spring-Summertime 2019, Passage No.13.

Rick Owens
Men's ready-to-habiliment, Fall-Wintertime 2019-20, Silhouette worn by Rick Owens.
Ready to wearable, Fall-Wintertime 2018-19, Passage No. 54.

Y/Projection par Glenn Martens
Ready to habiliment, Fall-Winter 2018-19, Passage No. 35.

>Current ACQUISITIONS :

Alaïa
Haute couture, Spring-Summer 1997, evening dress in bright red silk chiffon.

Alexander McQueen
Ready-to-wear, Spring-Summer 2003, "Irere" collection, Wearing apparel in printed chiffon with a vivid carmine emphasis.
Fix-to-wear, Spring-Summertime 2004, "Deliverance" collection, long evening wearing apparel in flesh and printed muslin inlay.
Set up-to-wear, Spring-Summer 2007-08, "In Memory of Elizabeth Howe, Salem, 1692" collection, Green jersey evening wearing apparel with harness embroidered with gold metal scales.
Set up-to-wear, Spring-Summer 2010, "Plato'due south Atlantis" collection, Apparel in grayness mixed wool canvas and jersey printed in royal and blue tones. Dress in organza and satin printed with anamorphic motifs in green and yellow tones.

Chanel
Haute couture, 1954-1959, Black silk gauze bustier evening wearing apparel with black silk velvet ribbons.
Haute couture, Fall-Winter 1964-65, Interior weaving wetsuit made of mixed cotton cords and handmade sequins, attributed to Mahlia.

Comme Des Garçons
Ready to wear, Jump-Summer  2019, Passage north° two. Fancy honeycomb knit trouser suit embroidered with black ribbon applications on the dissever belly, T-shirt and legging printed on newspaper, ventral protuberance and a pair of leather boots.
Ready to wear, Spring-Summer  2019, Passage north° thirty. Long crossed coat in wool satin and black silk with braided panels on the back, T-shirt and legging printed with blood-red and gray roses on a flesh groundwork, baskets drawing lateral protuberances as well every bit a pair of leather boots.

Grès
Haute couture, Fall-Winter 1975-76, Evening dress in white silk jersey by Racine, published in Vogue Paris, September 1975.
Haute couture, Spring-Summer 1980, Black lacquered satin cocktail dress.

Hermès
1963, Oona Chaplin's briefcase bag in blackness patent crocodile leather.

John Galliano
Ready to article of clothing, Jump-Summer 1995, Passage n° 15. Long strapless dress in crepe with satin back and black georgette.
Ready-to-wear, Jump-Summer 1995, Passage n° viii (variation). Cocktail clothes with asymmetrical drape in blackness wool suit.
Ready to wear, Fall-Wintertime 1995-96, Passage No. 7. Evening dress in crepe with ivory satin backside taken in the bias, inlaid with black georgette flowers embroidered and placed in such a way every bit to avert any cut and pinching.
Fix to article of clothing, Fall-Winter 1995-96, Passage No. 19. Flamenco long dress in fuchsia satin crepe at an angle and bottom of the apparel bordered with ruddy ruffles, fuchsia, blackness satin, chiffon, georgette, plumetis tulle, taffeta and satin ribbons.Fix to Wear, Fall-Winter 1998-99, Passage No. 9. Sheath dress entirely inlaid with geometric patterns and embroidered arabesques in blackness and white crepe, back closed with 51 flanged buttons.

Junya Watanabe
Ready to vesture, Spring-Summertime 2019, Passage north° 19. White cotton t-shirt with inlaid jeans bustier, wide jean skirt and tulle skirt, white leather and metal domestic dog collar, jeans and a pair of white leather Buffalo boots.
Ready to wear, Jump-Summer 2019, Passage northward° 24. Pencil dress with frayed jeans inlays, trompe-fifty'oeil tattoo print T-shirt, black and metal leather dog collar and pair of white leather Buffalo boots.

Martin Margiela
Gear up-to-article of clothing, Fall-Winter 1990-9, Woodcutter'due south shirt twisted on a black sweater.
Set up-to-wear, Fall-Wintertime 1994-95, Identical reproduction of a skirt adjust of Belgian origin, dated from the 1940s. Necklace adorned with a strand of blond pilus. Necklace decorated with a monocle.
Ready-to-habiliment, Fall-Winter 1995-96, Lining of a dress worn in a fuchsia cupro satin clothes.
Ready-to-wear, Fall-Winter 1996-97, fringe necklace made of bright red viscose.
Ready-to-wearable, Spring-Summer 1997, Stockman breastplate in printed raw linen.
Ready-to-wear, Fall-Winter 1997-98, Black wool coat sewn with unbreakable white threads. Pair of aureate waxed tabis.
Fix-to-wear, Autumn-Winter 1998, minimal cotton twill jeans. Tunic inspired by the structure of a shopping bag made of transparent organza. Marcel with a perforated neckline and brought to the front end.
Fix to wear, Leap-Summer  2000, Trench-coat XXXXL in polyester mastic gabardine.
Gear up-to-vesture, Autumn-Winter 2000-01, XXXXL blueish cotton twill jeans. XXXXL dress in lining and grey wool. Wide coat with interior details transposed to the outside in navy blue wool.
Set-to-wear, Fall-Winter 2001-02, Spencer in blackness satin with compressed details.
Ready-to-wear, Spring-Summer 2002, Trench-coat cut in polyester mastic gabardine. Circular motorcycle jacket in black leather.
Ready-to-wear, Fall-Winter 2004-05, Crepey black silk chiffon jacket with cut edges and oversized label.
Prepare-to-clothing, Autumn-Wintertime 2005-06, Old pink crepe skirt with burnt hem.
Set up-to-wear, Fall-Winter 2007, Trompe-l'oeil scarf neckband in white crepe.
Set up-to-wear, Fall-Winter 2007-08, Necklaces with padlocks covered in flesh jersey.
Set up-to-article of clothing, Fall-Winter 2008-09, "Cone" short wearing apparel and two brown mohair knit leggings. Pair of dark-brown leather boots with nail-shaped heels.

Martine Sitbon
Fix-to-wear, Fall-Winter 1997-98, Wool knit sweater and skirt and cobalt blue Lurex.

Rick Owens
Prepare-to-wearable, Jump-Summer 2019, "Babel" collection, Passage n° one. Crown in black painted steel rods on a hooded sweatshirt, sunglasses mask, coated denim jacket and black cotton gabardine, cotton shorts and pair of sneakers in collaboration with Birkenstock.
Ready-to-wear, Spring-Summer 2019, "Boom-boom" collection, Passage n° 25. Oyster grey cotton wool bailiwick of jersey t-shirt with hat, sunglasses mask, black and grey striped silk mesh dress, blackness cotton shorts, pair of argent steel rod bracelets and pair of sneakers in collaboration with Birkenstock.
Set up-to-wear, Spring-Summer 2019, "Babel" collection, Passage n° 36. Male double poncho with removable construction inspired by Vladimir Tatline's monument to the Third International (1919-1920), loose silk trousers and pair of sneakers.

Thierry Mugler
Haute couture, Jump-Summerr 1997, "Les insectes" collection, Monobloc blue Plexiglas glasses.

Walter Van Beirendonck
Ready-to-wear, Fall-Winter 2001-02, "Revolution", men'due south jacket in bright yellow wool, printed cotton fiber shirt, tie and pants and pair of shoes.
Ready to vesture, Fall-Winter 2017-18, "Zwart", Passage No. seven. Male bomber in nighttime blue satin with very long sleeves and oversized integrated gloves, knitted hat, printed silk scarf, black leather forcefulness bracelets and a pair of black leather boots.
Gear up-to-wearable, Fall-Winter 2019-20, "WoW" drove, Passage n° 7. Male "Dripping Monster Moph" mask, wool and purple polyester glaze with big artificial fur collar, "Dripping Monster Moph" printed cyclist superlative and boxers and a pair of multicoloured moonboots.

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